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Age of Globalization
John M. Hoberman, Instructor
University of Texas Press, 2014
Globalization is a fascinating spectacle that can be understood as global systems of competition and connectivity. These man-made systems provide transport, communication, governance, and entertainment on a global scale. International crime networks are also outgrowths of the same systems. In this course, you will learn how to identify and analyze global systems and better understand how they are changing societies around the world.
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Dopers in Uniform
The Hidden World of Police on Steroids
By John Hoberman
University of Texas Press, 2017

The recorded use of deadly force against unarmed suspects and sustained protest from the Black Lives Matter movement, among others, have ignited a national debate about excessive violence in American policing. Missing from the debate, however, is any discussion of a factor that is almost certainly contributing to the violence—the use of anabolic steroids by police officers. Mounting evidence from a wide range of credible sources suggests that many cops are abusing testosterone and its synthetic derivatives. This drug use is illegal and encourages a “steroidal” policing style based on aggressive behaviors and hulking physiques that diminishes public trust in law enforcement.

Dopers in Uniform offers the first assessment of the dimensions and consequences of the felony use of anabolic steroids in major urban police departments. Marshalling an array of evidence, John Hoberman refutes the frequent claim that police steroid use is limited to a few “bad apples,” explains how the “Blue Wall of Silence” stymies the collection of data, and introduces readers to the broader marketplace for androgenic drugs. He then turns his attention to the people and organizations at the heart of police culture: the police chiefs who often see scandals involving steroid use as a distraction from dealing with more dramatic forms of misconduct and the police unions that fight against steroid testing by claiming an officer’s “right to privacy” is of greater importance. Hoberman’s findings clearly demonstrate the crucial need to analyze and expose the police steroid culture for the purpose of formulating a public policy to deal with its dysfunctional effects.

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Drug Games
The International Olympic Committee and the Politics of Doping, 1960–2008
By Thomas M. Hunt
University of Texas Press, 2011

On August 26, 1960, twenty-three-year-old Danish cyclist Knud Jensen, competing in that year's Rome Olympic Games, suddenly fell from his bike and fractured his skull. His death hours later led to rumors that performance-enhancing drugs were in his system. Though certainly not the first instance of doping in the Olympic Games, Jensen's death serves as the starting point for Thomas M. Hunt's thoroughly researched, chronological history of the modern relationship of doping to the Olympics. Utilizing concepts derived from international relations theory, diplomatic history, and administrative law, this work connects the issue to global political relations.

During the Cold War, national governments had little reason to support effective anti-doping controls in the Olympics. Both the United States and the Soviet Union conceptualized power in sport as a means of impressing both friends and rivals abroad. The resulting medals race motivated nations on both sides of the Iron Curtain to allow drug regulatory powers to remain with private sport authorities. Given the costs involved in testing and the repercussions of drug scandals, these authorities tried to avoid the issue whenever possible. But toward the end of the Cold War, governments became more involved in the issue of testing. Having historically been a combined scientific, ethical, and political dilemma, obstacles to the elimination of doping in the Olympics are becoming less restrained by political inertia.

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Jews, Sports, and the Rites of Citizenship
Edited by Jack Kugelmass
University of Illinois Press, 2006
To many, an association between Jews and sports seems almost oxymoronic--yet Jews have been prominent in boxing, basketball, and fencing, and some would argue that hurler Sandy Koufax is America's greatest athlete ever. In Jews, Sports, and the Rites of Citizenship, Jack Kugelmass shows that sports--significant in constructing nations and in determining their degree of exclusivity--also figures prominently in the Jewish imaginary. This interdisciplinary collection brings together the perspectives of anthropologists and historians to provide both methodological and regional comparative frameworks for exploring the meaning of sports for a minority population.
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The Magic Hour
Film At Fin De Siecle
J. Hoberman
Temple University Press, 2003
The "magic hour" is the name film-makers give the pre-dusk late afternoon, when anything photographed can be bathed in a melancholy golden light. A similar mood characterized the movies of the 1990s, occasioned by cinema's 1995-96 centennial and the waning of the twentieth century, as well as the decline of cinephilia and the seemingly universal triumph of Hollywood.The Magic Hour: Film at Fin de Siècle anthologizes J. Hoberman's movie reviews, cultural criticism, and political essays, published in The Village Voice, Artforum, and elsewhere during the period bracketed by the fall of the Berlin Wall and the collapse of the World Trade Towers. Demonstrating Hoberman's range as a critic, this collection reflects on the influence of Fritz Lang, as well as Quentin Tarantino, on the end of the Western and representation of the Gulf War, the Hong Kong neo-wave and the "boomerography" manifest in the cycle of movies inspired by the reign of Bill Clinton. As in his previous anthology, Vulgar Modernism: Writings on Movies and Other Media (nominated for a National Book Critics Circle Award), Hoberman's overriding interest is the intersection of popular culture and political power at the point where the history of film merges with what Jean-Luc Godard called "the film of history."
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The Red Atlantis
J. Hoberman
Temple University Press, 2000
For most of the twentieth century, American and European intellectual life was defined by its fascination with a particular utopian vision. Both the artistic and political vanguards were spellbound by the Communist promise of a new human era -- so much so that its political terrors were rationalized as a form of applied evolution and its collapse hailed as the end of history.

The Red Atlantis argues that Communism produced a complex culture with a dialectical relation to both modernism and itself. Offering examples ranging from the Stalinist show trial to Franz Kafka's posthumous career as a dissident writer and the work of filmmakers, painters, and writers, which can be understood only as criticism of existing socialism made from within, The Red Atlantis suggests that Communism was an aesthetic project -- perhaps the aesthetic project of the twentieth century.

Considering the meaning of Communist culture in its absence, these essays sift through the wrecking age of Marxist fantasy to exhibit exhumed fossils (Socialist Realist canvases), vanished monuments (the Berlin Wall), imaginary territories (the Jewish state, Birobidzhan), and ideological memories (the Crime of the Century). The Cold War notwithstanding, the  greatest of these exotic artifacts and obsolete scenarios is the lost Communist utopia, which, in fact, never existed.
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Sport and Political Ideology
By John M. Hoberman
University of Texas Press, 1984

Across the modern political spectrum, left-wing and right-wing political theorists have invested sport with ideological significance. That significance, however, varies distinctively and characteristically with the ideology—a phenomenon John Hoberman terms "ideological differentiation." Taking this phenomenon as its point of departure, this provocative work interprets the major sport ideologies of the twentieth century as distinct expressions of political doctrine.

Hoberman argues that a political ideology's interpretation of sport is shaped in part by the value it assigns to work and play as modes of experience; the political anthropologies of right and left can be distinguished by examining their resistance to—or affinity for—sportive imagery of their leaders and of the state itself; there exists a fascist temperament that shows an affinity to athleticism and the sphere of the body that is not shared by the left.

Tracing modern sport ideology back to its premodern antecedents, Hoberman examines the interpretations of sport that have been promulgated by European political intellectuals, such as cultural conservatives and contemporary neo-Marxists, and by the official ideologists of Nazi Germany, the Soviet Union, the German Democratic Republic, and China before and after Mao.

As a form of mass theater, sport can advertise any ideology. But the deeper relationship between sport and political ideology has never before been explored wth such vigor. Presenting the first general theory of sport and political ideology to appear in any language, Hoberman's groundbreaking work is a unique and invaluable contribution to the intellectual and political history of sport in the twentieth century.

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Unwatchable
Baer, Nicholas
Rutgers University Press, 2019
We all have images that we find unwatchable, whether for ethical, political, or sensory and affective reasons. From news coverage of terror attacks to viral videos of police brutality, and from graphic horror films to transgressive artworks, many of the images in our media culture might strike us as unsuitable for viewing. Yet what does it mean to proclaim something “unwatchable”: disturbing, revolting, poor, tedious, or literally inaccessible?
 
With over 50 original essays by leading scholars, artists, critics, and curators, this is the first book to trace the “unwatchable” across our contemporary media environment, in which viewers encounter difficult content on various screens and platforms. Appealing to a broad academic and general readership, the volume offers multidisciplinary approaches to the vast array of troubling images that circulate in global visual culture.  
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